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At the Mic: Chuck Almdale & Lillian Johnson – Chuck and Lillian live in a northern Los Angeles suburb where – when not peering at birds far and wide and jotting down notes – Lillian tends their ever-growing assortment of native California plants, fruit trees and vegetables, and maintains contacts with other humans. Meanwhile, Chuck practices piano, studies philosophy, and edits their Santa Monica Bay Audubon chapter blog. They’ve been birding over thirty years and leading local bird trips for over twenty years. Now retired, they report that dinner time conversation is always “richly exciting” due to their previous careers as accountants.
For many of us birding is both fun and art. As with any art, the better you get, the more you enjoy it and vice versa. But like any art, there are certain techniques you can learn that will enhance both your enjoyment and ability to share that enjoyment with others. Many of these techniques and skills are covered in field guide introductions or magazine articles. Neglected – until now – is the skill of getting others onto the bird you’ve found. The joy of finding a new, interesting or beautiful bird increases when you share it with others. But you can’t share the joy if you can’t help others find the bird. In our years of birding, we have personally made and witnessed others make every single error mentioned below, and we find the five suggested techniques to be the most useful and easily learned.
Five Basics Points
Scope: If you have a scope, it’s easy to put it on the bird and let others look through it. This works well with birds like shorebirds, ducks or resting raptors which don’t move around quickly; it’s nearly useless with birds flitting through foliage. When the bird is cryptic, partially hidden or distant and small, give useful additional hints: look in the upper left portion of the field of view; behind that vertical snag, at the base of the red rock. Knowing which part of the scope’s view contains the bird can quickly ensure a useful look.
Make sure they are looking in the same direction as you are: If possible, just glance around. Birders are often looking in completely different directions while arguing about what they’re seeing. This happens so frequently that it’s a standing joke. A quick, “Stand behind me and look where I’m looking,” can at least get them into the general area.
(at right) “You’re looking where I’m looking, right?” (C.Almdale)
Clock face: In many situations, using a clock face can aid speedy location. In an open area, twelve o’clock is always straight ahead, six is directly behind, three and nine are 90 degrees right and left, respectively. Other hours fall in between. For a vertical object such as a tree, twelve is the top, three is ½ way down on the right side, and so on. On a boat or in a car (or line of cars), twelve is always straight ahead down the road, six is straight behind down the road, and so on. It should go without saying (but won’t) that 12 o’clock is not simply the direction in which you happen to be looking at that moment. If you’re young and don’t know how to read an analog clock, now is a good time to learn.
Laser Pointers: Pen-sized lasers are now available in various powers and produce either a red or a (preferred) green beam. Many professional tour guides use them; not all are equally adept at using them. The key is to start from something obvious like a large rock or tree trunk. Starting somewhere close to the bird is far less important. Once everyone sees your laser “dot”, they can follow it as you move it along trunk, limb and twig to the bird. Never shine the beam on the bird. Keep the dot where the bird can’t see it so you don’t startle it. Just below the bird works well, as does slowly circling the bird, avoiding jerky movements. An alternative low-tech solution is a small hand mirror of glass or polished metal, for which you will need the friendly cooperation of the sun.
Start from something obvious, easily locatable or describable: How many times have you heard someone say “Near the red leaf in the green tree,” or “By the tall grass stem”? You look around and are confronted with dozens of trees with hundreds of red leaves or an entire field of grass. This person has forgotten that no one else can see from their exact perspective. They’ve also forgotten that what is absurdly obvious to them through their own binocular’s tiny field of view is not at all obvious to anyone else confronted with a 360° view of the whole, wide world.
The Toughest Basic: Starting from the Obvious
Selecting the Obvious: So what’s considered obvious? Here are some examples: a lone tree, bush, rock or structure; the largest, tallest, darkest, lightest of an assortment of such items; the only group of trees; the leftmost or rightmost tree in a line of trees; the only cloud in the sky; the sun; the only red house in sight; the only house on the left side of the road; the only green sailboat on the sea. Something unique (in the proper sense of one-of-a-kind).
Often the bird is in a flock which everyone has already spotted. “There’s a Ominous Cleft-toe in with that flock of warblers.” They now know that you’ve seen the warblers, are not simply misidentifying one of them, and it helps someone who is way off target to know that they can first find a larger target (a flock) and then look for one individual.
Watch the Birdie: Keep your eye on the bird while giving directions: if it flies, you can follow it and give information about its movements. Often you can anticipate its movements, especially useful when someone is looking through a scope’s small field of vision. If it flies out of sight, you don’t waste your time telling people where the bird used to be.
Moving from the Obvious: Once you’ve gotten everyone looking in the same direction with your “see the big red house on the hill?”, you can bring them along step-by-step to the bird. “OK, starting from the house, come down to seven o’clock ½ way down the hill to a large brown rock with a big white spot on the bottom left side. Got that? OK, from four o’clock on the rock, go about three times the width of the rock to a round gray-green bush with a forked leafless stick pointing out ten o’clock from the center of the bush. The bird is on the left fork.”
Occasionally someone “jumps the gun” on your instructions. They hear the first instruction and immediately complain that they can’t see the bird. Deal with this as best you can. We tend to steamroll right over such comments and restate, perhaps enunciating slightly more forcefully: “Now, from the red house on the hill, come down to seven o’clock…”, and so on. We figure that getting many or most of the people on the bird is good for the first pass; there is always someone who wasn’t listening or couldn’t follow. If the bird stays put long enough, we try again.
Distance: Use fractions or multiples of an obvious dimension: ½ way down the hill; ¾ of the distance from bottom to top of the tree; 1/3 of distance from trunk to the left edge of the tree; twice as high as that radio tower; ½ way from the sun to the left edge of the lake. Although the size of the field of vision varies widely among binoculars, the number of binocular fields often works as a rough estimate, especially for small specks in the sky: “About two binocular fields 12 o’clock from the red house.” Most people are poor judges of distance or size, and we underestimate distances more often than overestimate. When you do give a distance, qualify it with a phrase like “about”, “approximately” or “between” to indicate that this is a rough estimate. Saying “less than 50 feet” can keep people from searching in vain 200-500 feet away. The exact distance does not matter, it’s the order of magnitude which is important.
Practice this on your own, in your own mind. Start from the obvious, and work your way to the bird, using the clock and relative distances. After a while, this sort of verbal guidance becomes close to second nature.
A starting point can be near or far from the bird, above or below, closer or farther. It only has to be OBVIOUS to everyone. Sometimes a building two miles away is the best point from which to start. Sometimes it’s a knee high red flower 5 feet away. It all depends on the situation.
Partially Obscured Birds & Parallax: Sometimes you see a bird through a hole in foliage or twiggy brush. It can’t be seen except from exactly where you are standing. You can confirm this by moving a bit and seeing if the bird becomes obscured. In this case, you either hog the view for yourself, or you move aside and give someone else your spot. We recommend the latter. Your courteous behavior will be appreciated and you’ll likely be helped in return soon or later by legions of grateful fellow-birders.
Bird Color, Shape, Orientation, and Relative Size: Sometimes leaves, grass or twigs obscure a bird, or it blends into the background. In these cases, giving a description of the relative size, color, bill shape, or body orientation can help. Woodpeckers often blend into the trunk or limbs to which they cling. Warblers are famous for moving through the canopies of leafy trees. Towhees and thrashers match their dead leaf feeding grounds in coloration. “Facing left, body almost horizontal, shoulder hunched, tail hidden” can get someone onto a well-camouflaged motionless bird.
Dealing with Beginners: The special problems beginners experience usually fade with time, so you’ve probably forgotten that you once had them too. Try to figure out their views and put them into perspective for them and others in the group. When one person says that he is looking at a “really big bird way up high” and others can’t find the soaring eagle, the leader who sees where the beginner is looking can help by saying something like, “that robin ten feet up in the oak does look huge and high compared to the juncos on the ground we have just been watching.” A statement like that explains the original observer’s perspective to more experienced participants, helps the others to know what they are looking for (if they want to see the robin), teaches the beginner something about perspective and comparison, and probably won’t be interpreted as an insult.
It Won’t Always Work
You will not always be successful. Accept that. You’re just birding, not solving world peace; keep your sense of humor about this. Some people are not listening, some are hard of hearing, some have vision problems, some may be angry about the coffee they spilled on themselves, and some have bad binoculars or dirty glasses. Sometimes you’re off your own game, thinking about something else, short-tempered, irritated, too cold, too hot, or you brain just isn’t working properly that day. That’s life. Some people seemingly cannot follow directions from anyone. Some people can never learn to give them. Some of the best birders in the world are unable to give decent directions to anyone else, no matter what. And then there are those most fortunate and irritating few who seem to never need directions. They instantly see everything, everywhere, until you want to bop them on the head from frustration with your own inability.
And Finally – What Not To Say
There’s no end to the list of unhelpful, frustrating and irritating directions one might give. And – like speaking to someone in a foreign language – emphasis, raising your voice and waving your arms around does little more than scare away the bird.
Here is a small sampling: It’s right there. Just look. Over there. IT’S RIGHT THERE! There! No, there! Are you blind? It’s right behind the green leaf.
Some useless directions are situation specific. For example: out there in the grass (in a large grassy field); on the phone wire (in a city forest of wires); on the pole (with dozens of phone poles stretching off to the horizon); on the bush (in the chaparral); on the water (from the beach). And the ever-favorite classic, frequently heard in the forest: it’s in the tree, the green tree. You get the idea.
Getting into details of distance and size can mislead. “A foot high bird on a 100-foot boulder 500 yards away,” can be really misleading when the bird is really a Rock Wren 50 yards away on a car-size boulder.
When your knowledge of vegetation, rocks, soil, clouds and so forth is better than average, it’s easy to assume your audience knows what you know. “It’s in the Phalanopsis growing by the Dichrodendria next to that crumbled intrusion of franitactic gneiss,” can be as useless as saying “over there” to the person who cannot identify those objects. Common English is best.
And if you want to really irritate your birding mates, just give a lengthy description of the bird before giving any clue as to where you’re looking. Make sure you pop in such exclamations as, “Oooh….Wow…what IS that?…It’s soooo beautiful….Pleeeese tell me what it is!”, ad nauseam, finishing up with “well…it’s….geee…how can I – whoops!, it just took off! You missed it? Are you blind? It was right there…in the green tree!”
For a full version of this post, see Santa Monica Audubon Society’s blog. Please feel free to print and distribute.
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